‘All The Years of Trying’ is an ode to the Stratford Bard of London’s East End produced and directed by London based film makers Dom Shaw and Daniel Carboni of music documentary specialists Anonymous Films. Patrik Fitzgerald. Known as the Punk Poet and composer of the ultimate anthem 'Safety Pin Stuck in My Heart'; Fitzgerald kicked against the brash three-chord orthodoxy by performing waif-like and vulnerably alone with an acoustic guitar and a tattered book of poems at the height of the punk revolution.

Although never making it to the dizziest heights of pop fame he continues to be a well respected figure, cited as an early influence by author and poet Benjamin Zephaniah, and legendary journalist and Nirvana biographer, Everett True. The new millennium has seen a resurgence of interest in this determined, brave performer who battled on with his music through much travail and now seems set for new appreciation by a whole new generation charmed by his stripped down honesty and integrity.

The film is directed by film maker Dom Shaw who first met Patrik 32 years ago and filmed him for his seminal punk documentary ‘Rough Cut & Ready Dubbed’ which won the John Grierson award for best documentary. Featuring some of his best known songs and interviews with people influenced and entranced by his music, the film is an affectionate tribute to an old friend. ‘I knew Pat long before I met him’ says Shaw ‘because every song was soaked with his own vulnerability and humour that myself and many others could completely identify with.’

‘Everything I've ever read about myself has said how shy and self effacing I am, so I really shouldn't blow my own trumpet about this film. Having said that, I have watched and kind of enjoyed it, I think. I've probably written some good tunes and there are some of them in this film. Being stuck into celluloid is a bit like having your soul stolen, however.  But there you are... Enjoy the film. ‘ Patrik

‘It seems as if all those old bands from the punk era and later are getting their renaissance’ says producer Daniel Carboni, ‘and to be truthful, some of them aren’t worth the attention. But Pat never seems to have got the attention he deserved except from a well respected network of influential artists. We hope this film will help to change all that.’  

It seems as if top cops in the UK are repeatedly calling for the legalisation of drugs to reduce crime. The latest to do so is Durham police chief Mike Barton who advocates Class A opiates for addicts being made available through the National Health System. So far, no government has deemed it a vote-winning measure and have done little more than juggle the various substances between legal categories for judicial purposes. But it feels as if the tipping point might be only a few years away with a petition calling on the government to follow the advice of the Home Affairs Committee and introduce that fabulous device for kicking an issue into the long grass, a Royal Commission on drug law reform. But leaving aside the timidity of politicians, there are some indications that some legalisation may be instituted in the next decade. If it is, a number of the options proffered by pressure groups and advocates among the police have come with expansive claims about the effect on the criminal enterprises that control the import, export and sale of drugs in the UK that need to be tested against the available evidence.

Firstly there are the stated aims of legalisation. Top cops of course like to highlight the reduction in organised crime. Drugs legalisation advocates of various hues tend to soft-pedal this angle over a general belief that the state should play no significant role in what citizens choose to inject, sniff, smoke or otherwise ingest to get their rocks off. The headlines tell us drugs only lead to addiction and death and that legalisation would simply lead to increased use and a generation who would thus treat substance abuse in the same way they do alcohol.  Too late. This has been a feature of my parents generation, of mine and that of my children. In fact, drugs were much easier to obtain than alcohol when I was 16 and considerably cheaper.

The Home Office expresses the perpetual view of all Governments cowed by the task of allowing the commercial or medicinal exploitation of drugs: "Drugs are illegal because they are dangerous. They destroy lives and blight communities. The UK's approach on drugs remains clear, we must help individuals who are dependent by treatment, while ensuring law enforcement protects society by stopping the supply and tackling the organised crime that is associated with the drugs trade." Well, good luck with that pious mixture of hubris and delusion. One notorious member of a family of gangsters grown fat on exploitation of a lucrative Colombian drugs cartel that reportedly owned its own submarine, was fined a million pounds and reportedly asked the Judge with a wry smile if he preferred cash or a cheque. The fight against organised crime has been a pathetic drop in the ocean in a war in which the culprits are more likely to eliminate each other from the growing empires of  organised crime in the endless power plays between the controlling syndicates than to succumb to a knock on the door from an under-funded constabulary.

In 2009, the lobby group Transform Drug Policy Foundation’s report 'After the War on Drugs: Blueprint for Regulation' financed partly by, amongst others, the J. Paul Getty Jr. Charitable Trust was careful to highlight the difference between drug use and drug addiction or dependency using the usual arguments every teenager caught with a quarter of dope in their laundry by their parents utilises when backed into a corner. Alcohol, caffeine, anti-depressants, tobacco make us all drug users to a greater or lesser degree and all are legal.

It’s always been a convincing argument, particularly when walking home late on a Saturday night or Sunday morning in any major town centre. There is a striking feature about wandering around London in the early hours that is as regular a sight as rubbish trucks growling down the streets at dawn. The city bus stops are full of young women alternately crying or throwing up. Their male counterparts always seem to be missing, perhaps not as resilient or more incapable having a greater capacity if not tolerance for gallons of  the electric soup.

But what police advocates of legalisation through the NHS seem to forget is that most drug use is recreational. Far from being wrinkled husks gasping for another hit and queuing for the chemist to collect their methadone prescriptions, most are casual, occasional and social users who regard their substance of choice as just another choice amongst the panoply of prerequisites for a good night out.

Given this subtlety, it’s easy to see how organised crime would adapt to changing legislation by cornering the market in new designer highs that can’t be found amongst the prescribed versions that would be available through the health system or even over the counter at your local chemist. The model that seems to suggest a way to completely circumvent them or at least put a serious dent in their business is the free market or supermarket model that suggests commercially available through licensed premises, off-licence models aligned to those for alcohol or caffeine energy drinks. This has the disadvantage of doing little more than handing control of the market from an underground cartel of loosely associated and competing criminal exploitation specialists to suppliers with an advertising budget. But given the worship of free markets over state intervention, this may well be where it all ends up. Tobacco advertising bans will dissolve under the weight of such a prospect, which would suggest the cigarette lobbyists should be hyping this as the panacea to a wealth of schizophrenic state proscriptions.

But what would a commercial drugs company with advertising dollars to spend and a research and development department dedicated to producing market-friendly innovations and designer highs to all price bands and demographics look like? Whilst the current atmosphere persists, it is possible that we may all soon be about to find out.